strange standing here naked
with a gun to my head,
but this is the new world
wanted to move out to california,
but i was tied to this house, to
this job, to these children
woke up sweating and terrified
from a dream with no meaning
heard water in the basement
tasted rot, tasted decay
not sunlight, you understand,
but this numbing sensation
of suffocation
this false hope of
50 degree afternoons
at the beginning of february
the threat of freezing to death
replaced by the threat
of drowning
the sensation of rust flaking
down from great heights
onto bare skin
and did i mention the gun?
can you picture the hills
all painted a
soft, despairing grey?
we will never be more in
love than we are at this moment
we will never be more alone
choose, but then keep
your choice a secret
Saturday, February 28, 2009
Monday, February 16, 2009
malachi (2)
all of these small cancers
and all of these smoldering remains
and all of the bodies
all of the ways that each one
matters more than war
and these words
which do nothing but scratch feebly
at locked doors
these dogs
who are starving slowly
who are chained to the passing days
and this is not a poem but
an explanation
or possibly an apology
it's my mind
refusing to sit still while
the first big storm of the year
approaches
and there is a man who writes to say
that he can't make sense of
any of this
you need punctuation
he says
and you need flow
and you need to stop worrying
pollock's bones
and there is a four year-old boy
on fire
on the other side of town
his mother held back by the neighbors
while the roof collapses
some small tragedy with no meaning
and maybe these are all we
have left in this year of election
streets littered
with the corpses of soldiers or
this man who murders his
pregnant wife
the woman he fucked
two months earlier who says she
just wants to be left alone
who says the walrus was paul
says you have to look for the clues
the open hand or the third eye
or the burning cross
the way america is defined
by its history
the way christ's teeth have been
filed down to dirty yellow points
and do you fall to your knees when
he smiles
or do you turn away in shame?
consider your answer
consider the act of rape being
filmed for the internet
the way names are kept hidden
out of fear
and out of shame
your children growing up with
nothing more than
the wreckage you've left them
and all of these smoldering remains
and all of the bodies
all of the ways that each one
matters more than war
and these words
which do nothing but scratch feebly
at locked doors
these dogs
who are starving slowly
who are chained to the passing days
and this is not a poem but
an explanation
or possibly an apology
it's my mind
refusing to sit still while
the first big storm of the year
approaches
and there is a man who writes to say
that he can't make sense of
any of this
you need punctuation
he says
and you need flow
and you need to stop worrying
pollock's bones
and there is a four year-old boy
on fire
on the other side of town
his mother held back by the neighbors
while the roof collapses
some small tragedy with no meaning
and maybe these are all we
have left in this year of election
streets littered
with the corpses of soldiers or
this man who murders his
pregnant wife
the woman he fucked
two months earlier who says she
just wants to be left alone
who says the walrus was paul
says you have to look for the clues
the open hand or the third eye
or the burning cross
the way america is defined
by its history
the way christ's teeth have been
filed down to dirty yellow points
and do you fall to your knees when
he smiles
or do you turn away in shame?
consider your answer
consider the act of rape being
filmed for the internet
the way names are kept hidden
out of fear
and out of shame
your children growing up with
nothing more than
the wreckage you've left them
Wednesday, February 11, 2009
one for lisa, stoned
try to help and you
fuck things up even more and
so you stop trying to help
this is the way
these are the starving orphans
of the world and the
battered mothers and the
abused babies
wheels
within wheels
gears clotted with
rust and with blood
this woman next to you
in bed who says show me how
much you love me over and
over but all you do is
hurt each other
all you do is hurt
there is no shame
in turning away
fuck things up even more and
so you stop trying to help
this is the way
these are the starving orphans
of the world and the
battered mothers and the
abused babies
wheels
within wheels
gears clotted with
rust and with blood
this woman next to you
in bed who says show me how
much you love me over and
over but all you do is
hurt each other
all you do is hurt
there is no shame
in turning away
Thursday, February 05, 2009
For You
Sun through the blinds onto your body.
Sweat running down your breasts, music
everywhere. Loud, bigger than God, bolder,
and my fingers wet with your taste.
This is something from another room,
from a different town, and I carry it with
me instead of your name. Instead of your
face.
I stand at the window while you lie on
the bed. You touch yourself. You moan.
Things begin to fall apart.
Sweat running down your breasts, music
everywhere. Loud, bigger than God, bolder,
and my fingers wet with your taste.
This is something from another room,
from a different town, and I carry it with
me instead of your name. Instead of your
face.
I stand at the window while you lie on
the bed. You touch yourself. You moan.
Things begin to fall apart.
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