Sunday, April 26, 2009
MARK YOUR CALENDAR
a new e-chap, SMALL CHILDREN BLEEDING POOLS OF SUNLIGHT, will be available for one day on May 1st at Poetry Superhighway. get the skinny HERE
Friday, April 24, 2009
prophetstown, before and after
everything turned
suddenly to desert
the women raped and
the children missing
tenskwatawa
pulled from the fire
brings a vision
back with him
not the death of
everyone and everything
he loves, but this is
what happens anyway
this is the
birth of america
suddenly to desert
the women raped and
the children missing
tenskwatawa
pulled from the fire
brings a vision
back with him
not the death of
everyone and everything
he loves, but this is
what happens anyway
this is the
birth of america
Tuesday, April 21, 2009
Sunday, April 19, 2009
2:23 a.m.
and you write about death,
of course,
because it’s what you fear, and you
write about despair because
it’s what you know
the truth isn’t always a fist,
but it’s best to be prepared
of course,
because it’s what you fear, and you
write about despair because
it’s what you know
the truth isn’t always a fist,
but it’s best to be prepared
Thursday, April 16, 2009
america, big and small
a box filled with smaller worlds
in a room heavy with dust
old man in a chair at the window
city buried in
its own mindless filth
freedom was never a gift
intended
for the poor or the weak
in a room heavy with dust
old man in a chair at the window
city buried in
its own mindless filth
freedom was never a gift
intended
for the poor or the weak
Tuesday, April 14, 2009
subtle ascension
wake up to rain on the
morning after the massacre,
and to the knowledge that
it will all happen again
stand naked on the sidewalk
among the dying flowers,
the burnt-out candles,
the prayers that have all
washed away
this is not your home
these children with their
tear-stained faces will
never love you
you have always
been a coward
morning after the massacre,
and to the knowledge that
it will all happen again
stand naked on the sidewalk
among the dying flowers,
the burnt-out candles,
the prayers that have all
washed away
this is not your home
these children with their
tear-stained faces will
never love you
you have always
been a coward
Friday, April 10, 2009
a shroud
but don’t be america
don’t be the old man sitting
next to his filthy window
the trigger is pulled
and the hero has no name
all wounds are greater
than they appear
hold the child above your head
and view the sky through
the hole in its chest
remember the kingdom of god
remember the island of skulls
stand in the spot where
opposites meet and feel the
wings start to grow from
your shoulder blades
this is beyond magic and the
dull grimy walls of religion
we are worth more than
the prices
placed on oil and on fear
it’s easy to forget this
with a foot pressed
hard against your throat
don’t be the old man sitting
next to his filthy window
the trigger is pulled
and the hero has no name
all wounds are greater
than they appear
hold the child above your head
and view the sky through
the hole in its chest
remember the kingdom of god
remember the island of skulls
stand in the spot where
opposites meet and feel the
wings start to grow from
your shoulder blades
this is beyond magic and the
dull grimy walls of religion
we are worth more than
the prices
placed on oil and on fear
it’s easy to forget this
with a foot pressed
hard against your throat
Tuesday, April 07, 2009
the ocean, at night
it was the year picasso began
painting monsters
it was the year he died
small objects in silent rooms,
always moving, smell of dust,
taste of rain against
dirty windows
you were asked to believe
in god
you were told
stood by the window waiting
for yr husband to come home,
but he never did,
and the children were crying
and then they were grown
maps were drawn,
plans of attack diagrammed
we would kill the killers
before they were even born
we would burn their fathers’
eyes with holy light, would
turn their mothers into
shadows of contorted pain
we would win the war by
refusing to fight it
we would
bomb only civilians, only
mud hut villages, only straw
and bamboo churches, and
it was the year my
sister was born
it was the year i kissed you
for the first time
made all of those promises
that sounded just like lies
painting monsters
it was the year he died
small objects in silent rooms,
always moving, smell of dust,
taste of rain against
dirty windows
you were asked to believe
in god
you were told
stood by the window waiting
for yr husband to come home,
but he never did,
and the children were crying
and then they were grown
maps were drawn,
plans of attack diagrammed
we would kill the killers
before they were even born
we would burn their fathers’
eyes with holy light, would
turn their mothers into
shadows of contorted pain
we would win the war by
refusing to fight it
we would
bomb only civilians, only
mud hut villages, only straw
and bamboo churches, and
it was the year my
sister was born
it was the year i kissed you
for the first time
made all of those promises
that sounded just like lies
Sunday, April 05, 2009
Saturday, April 04, 2009
cage of thorns
yellow flowers pasted onto
pale blue construction paper and
all of these complicated ideas
about love & suicide
lying to myself is easy
lying to others is necessary
wake up too early to the
ringing of my phone, to the voice
of my youngest son
snow at the end of march,
then it fades to rain
this will be the
day i drink the faucets dry
this will be the moment
of my ascension
streets lined with houses,
but no people
endless fields of dead grass
and splintered bones
stand there next to my oldest boy
and he says he’s not sorry for
any of the pain he’s caused
and his voice sounds
like my own
his presence might or
might not be imagined
all acts of grace
are torn apart so easily
pale blue construction paper and
all of these complicated ideas
about love & suicide
lying to myself is easy
lying to others is necessary
wake up too early to the
ringing of my phone, to the voice
of my youngest son
snow at the end of march,
then it fades to rain
this will be the
day i drink the faucets dry
this will be the moment
of my ascension
streets lined with houses,
but no people
endless fields of dead grass
and splintered bones
stand there next to my oldest boy
and he says he’s not sorry for
any of the pain he’s caused
and his voice sounds
like my own
his presence might or
might not be imagined
all acts of grace
are torn apart so easily
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