Back
about 15 years ago, some publisher/editor asked me to list my influences for
her website. I listed a bunch of
artists, of course, some musical genres and Henry Frayne. Awesome guitarist, unequaled in the delay and
reverb. Spooky, spooky shit.
I
corresponded with him briefly about 20-25 years ago, still have some M7X promo
posters that he sent me tucked away in my boxes of vinyl.
Area
was good, sort of a gothy/drum machine/4AD thing going on but Lynn has an
amazing voice and Henry did something different for just about every song. I think the band did one album after he left,
I never bothered checking it out.
Lynn
and Henry got back together for The Moon Seven Times, plus a real drummer and
much fuller bottom end to their sound.
The first album is a classic. I
see it get lumped in the dreampop or ethereal wave genres all the time, but it
transcends them. Stellar music. 2nd album is almost as good. I’m not sure, but it seems to me that Henry
may have begun to lose interest on the 3rd album, as there are big
chunks of it that are missing his effects pedals. Without him, the band sounds like your basic
mid-90s alterna-folk group, maybe some jazz and country thrown in. Nothing horrible, but a huge comedown after
the first two albums.
Henry
made his side project, Lanterna, his full-time project after M7X packed it
in. Just his guitar, an ARP synth and a
steady ricochet between real drummers, programmed drums and no drums at
all. The first album, again, is a
classic. An insane variety of sounds and
moods. The 3rd album, SANDS,
is another massive career highlight. the
5th album came out in 2006 and then the next one wasn’t released
until 2015, so he’s not insanely prolific.
The
sound seems to move around in a no-man’s land between post-punk and
ambient. Remember the earliest stuff by
Durutti Column? That’s one reference
point. He goes in a thousand different
directions from there. Awesome graphics from M&X on also. Lanterna, in particular, has excellent packaging design and photography.
Good
stuff.