Friday, March 29, 2013

lost painting, 1949




 

like small pieces of paper left in
the pouring rain, like words i love you
written on each one

the flood and then
the flood receding

destruction and the
thick stench of decay

the dull grey weight of hopelessness

all of your life dragged out to the curb
to be picked through by the
dirtbags, the looters, the men w/ their
heads of carrion birds
 
money in the pockets of
every politician
 
teenage sons and daughters
lining up to be fucked or
tied down to be raped

it’s a war, of course, and to pray for
one soldier’s survival is to
pray for the death of another

it’s a house on the eastern edge of
town where you live with your
ghosts and your fear of the future

no one meets you at the door after
work, no one kisses you goodnight,
no one offers to die for your sins

no one rushes into the room just as
you prepare to slash your wrists

no one calls you a coward when
you sit there doing nothing



Wednesday, March 27, 2013

too late, and w/out hope




later, then, in some other desperate
season, after i’d told you i loved you,
after it became a lie

clouds, probably,
or shades of grey
 
an absence of shadows

an abundance of light,
but all of it dimmed and all
memories shaped by fear and loss

i knew you were gone,
but didn’t care

waited five years to remember your
heat & your touch

had the same dream over & over,
a woman with someone else’s face,
someone else’s body,
but i knew it was you
and i burned all of those poems

i destroyed all of those paintings

saw the man sitting there,
going blind

saw the soldiers tearing out his tongue

cutting off his children’s hands

a million bright red birds
flying from their wrists and
back into the past





click to buy, or maybe just to gaze upon w/ reverence & awe





 
 
 
 

Monday, March 25, 2013

miro



 
 
 
 
 
 

december poem, in february




no shallow end,
no lifeline

this is not an explanation,
you see,
this is my grandfather’s suicide

this is a letter to the fucker who
tried to get me fired twenty
years ago because i was sleeping
                           with his girlfriend

we grow up
and then we grow old

the wars don’t matter as long as
we can still afford to get drunk

this is a truth i
never see printed in the papers

this is blood in the
bathroom sink at 2:00 a.m.

i think about who i might
call, then end up just
going back to bed

in the morning,
the basement has flooded



Sunday, March 24, 2013

a joan mitchell sunday afternoon




 
 
 
 

the pure light of lost afternoons




not black & white but
shades of grey,
smudges of dull green

amnesia

solitude

use the poems as bricks
and build yr own prison

stand in the empty field  out
past the railroad tracks
and wait to cast a shadow

wait for winter to end

refuse to die in yr
own small way




Saturday, March 23, 2013

holiday favorites

 
 
my lulu collection of traditional and electronic books,
all marked to move.......
 
 
false hope
 
 
 
 
 
 
 

Saturday, March 02, 2013

always almost somewhere


click below


 
 
 

dorothea, max





 
 
 

dominion




sunlight like the fist of god
and then all of the days
i've wasted with my eyes closed

this quiet house on this
dead-end street in this
dying town

will you stand beside it
while it burns?

will you stand outside the
room of hanged men
and count backwards from twenty?

and what if it's here that i
finally tell you i love you?

i believe in words
no matter how often they fail me

i believe in july and in august
and that all of my promises
will be broken

look at my hands

both of them open and
both of them empty and
waiting for the moment to pass

waiting for their mistakes
to be forgiven

whatever you say in the silence
that surrounds us
never the poem that i
wanted to hear
 
 
 

Thursday, January 31, 2013

the way it happens





this man on the bridge
falling or jumping
or holding a rock with both hands

dropping it
and the windshield of the car below
parting like violent water

the woman's face split in two
and your sister on the phone
saying she's pregnant

blood pooling on the floor where
you've left the idea of a mother
murdering her son with a butcher knife

the sky where it
pours itself over the landscape

the rock as it falls and the woman
as she turns to her husband and smiles

the pair of hands attached to a
person that no one knows

these fifteen crosses planted in
the ground in colorado
and the fact that nothing grows

your sister on the phone
saying she lost the baby

saying the blood
won't come off her hands
and the fact that nothing falls
out of the sky

the way she describes
the fetus to you

the idea that
none of these wars can ever
really be won

the man on the bridge jumping
and then falling
and then breaking through the ice

his apartment
and all of the places
a note was never left

all of the people it was
never addressed to

the body not found until spring




Tuesday, January 01, 2013

available in both book and ebook forms





 
 
 
 
sunpoison
 
 
 
 
 

the door locked, the house burned down





this pointless action,
this screaming, this putting your
fist through a window or
pulling a trigger

what a fucking bore
knowing suicides
knowing addicts

what a fucking hassle
these tiny crippled fingers always
grabbing at your throat

what a goddamned joke when
all days are the same




Saturday, December 29, 2012

from THE SUM OF BROKEN PARTS




10.


i am the only child of
the one true god
and i am in hiding

i am silver and i am
gold in the age of famine

motherless and broken

stoned

no ladder to the sky no
more precious metals to
dig up from the earth
and so we die in the
world we’ve created

we are reborn into the
world we destroyed

a circle carved into
your lover’s flesh

a new day

wake up slowly and
without regret

crawl down the stairs
and out the back door

smile blindly into the
unforgiving sky
while our sons and
daughters burst into
                     flames



Monday, December 24, 2012

static




 
 
 
the sea of static
 
 
 
 

mary's house




yellow light into grey,
       end of november,
             almost warm,
          almost hopeful,
and when you’re tired of being an artist or
      when you’re tired of bleeding for minimum wage,
      when you’re tired of sorrow,
                           tired of breathing,
there’s always suicide and
it’s not like i’m telling you something new here

it’s not like i’m saying
anything at all





Tuesday, August 28, 2012

psalm with the weight of nails through flesh



pale yellow sunlight on
the bleeding horse
and the shadows he casts swallowed by
the shadow of something larger

the houses ending suddenly where
these barren fields begin

wind and the smell of gasoline
and the sound of the interstate

the idea of somewhere better
which is probably a lie

there is no escaping disease

there is no escaping addiction

look at these men
who have died for god
and then look at the catholic church

look at the diseased fingers
of priests
picking through the bones of
the past

count the number
of children raped in the name of
salvation
 
there is
so much left to destroy



Sunday, August 26, 2012

support KSE



from Bill Shute -


"Good to have John Sweet back at KSE for another poetry chapbook. Mr. Sweet, working out of south-central New York state, has been a kind of quiet warrior in the contemporary poetry world, eschewing the usual self-delusional self-promotion and the laughable “outlaw” posing of so many who use attitude to compensate for lack of talent. Sweet’s work speaks well for itself—no hype or backstory is needed to prop it up.

Simply put, John Sweet’s poems are terse, finely sculpted, razor-sharp pieces that capture the violence and illness under the surface of contemporary life. On the level of the intimate relationship, the family, the community, the nation, the world—Sweet presents closely observed episodes, full of tension at the level of the phrase and the line and the stanza, and sets them up like spring-loaded traps. This new collection of eight poems, BRAVE RETREAT, examines many subjects: families who talk but don’t communicates, the burning secrets inside those closest to us that never come out until too late, the bleakness of Rust Belt America, the futility of overseas military adventures as we surrender to forces we don’t understand on the home front, the burning need to create and to change and the ways those with that need are snuffed out by society or simply suffocated by marginalization. And it’s all presented in the form of specifics and precise details with not a wasted or flaccid word—the precision of a Cid Corman, the caustic understatement of a Samuel Beckett, but in a natural contemporary American voice. Though I don’t believe Mr. Sweet is a poet who does many readings, there is an exciting sense of drama and pacing captured on the page that makes it seem as if the poems are being read to you dramatically by an actor with great subtlety but capable of great menace—think Willem Dafoe or the early Christopher Walken. This is the America of 2012, and it’s the melodrama of life in any period. No one captures the pain, the stepped-on and discarded dreams, the way John Sweet does.

The new poetry chapbook from JOHN SWEET, “Brave Retreat” (KSE #216)…scalding shards of verse from this master craftsman, pieces found broken and abandoned on the internal battlefields of contemporary America…from the author of Human Cathedrals, Continuum, and This Moment Reflected In Ice…proud to have him back for another KSE chapbook…fads come and go, but John Sweet remains a constant, the real thing in a world of posers and dilettantes…."

Thursday, August 23, 2012

falling from great heights into vast oceans




strange standing here naked
with a gun to my head,
but this is the new world

wanted to move out to california,
but i was tied to this house, to
this job, to these children

woke up sweating and terrified
from a dream with no meaning

heard water in the basement

tasted rot, tasted decay

not sunlight, you understand,
but this numbing sensation
of suffocation

this false hope of
50 degree afternoons
at the beginning of february

the threat of freezing to death
replaced by the threat
of drowning

the feeling of rust flaking
down from great heights
onto bare skin

and did i mention the gun?

can you picture the hills
all painted a
soft, despairing grey?

we will never be more in
love than we are at this moment

we will never be more alone

choose, but then keep
your choice a secret



talking about famine





 

 
 

Tuesday, August 21, 2012

carcinogens








and we thought that when the war was over the blood would all flow backwards, and we were wrong





or living like a wounded animal, which
isn’t really the same thing as living,
but there you are in your collapsing hole
with your open wounds and your blood trail

here we are after 25 years of winter

½ a lifetime spent digging at the same
small patch of frozen ground with bare hands

low tide

faulty compass

and what i find out too late is
that anger isn’t enough

is that silence isn’t an alternative to
suicide, but a slower version of it and so
                                            we scream
 
we make ourselves such easy targets

open the door and all of that pale, blinding
sunlight just blows holes straight through you





Sunday, August 19, 2012

w/ wings of clay





small gestures at the end of
summer, these anonymous lawns,
weed-choked flower beds, these
spider webs spun between branches
and the corners of windshields in
the first damp light of day, and
i would tell you here that i
love you but my voice would be
a whisper and you would be
3000 miles away

i would give this poem your
name as it’s own, but
futility gets old quickly

the children are hungry and
the ceiling cracked

the age of plague
nearly upon us
 
i will keep repeating this
until it becomes the truth






Saturday, August 18, 2012

christ the saviour




another day of no sun of no
money no drugs and
in the silences between breaths
there is only waiting

in the fields that move from
the edges of town to the collapsing
hills there are only weeds
                           and mud
 
the ragged coughs of feral dogs
who have learned to walk on
their hind legs

have learned to fuck for pleasure
and to torture for even more and
will you remember where you were when
you heard about cobain’s suicide?

will you let your children keep the
skulls they find along the
freeway’s edge?

it’s a brave idea to not believe in
killing, but it won’t
help you at all down in juarez
because your tears will have nowhere
to go when the ditches are all
filled with corpses

those in power will wash themselves
clean in the blood of the weak

this is the only real truth
that history has to offer





Friday, August 10, 2012

the bleeding horse despairs in the face of all that cannot be changed



this wall of heat until you can no
longer clearly remember the darkest days
                                                of february

the laughter of children and
the hum of air conditioners

trickle of sweat
between your lover’s breasts

and what hope can you have for the future
when your religion is based on blood
and violence, and why would you kiss the
feet of a savior who wears a halo of ashes?

why would kiss the
feet of anyone at all?

listen
 
i am tired of the burning house

i am tired of the weeds
that devour the garden
 
once you move past the idea of
immortality, you begin to see clearly
 
once the last dollar has been spent, you
begin to see the attraction of despair
 
and do you understand why
bukowski’s death doesn’t matter?

do you understand he would have had
nothing but contempt for you?

and this is true of dali also, of course,
and of reagan, and once the villagers have
all been locked inside the church
the priests light the torches

they line up the bulldozers and they
explain that all true gods take sides

they turn politely away
while the women are raped

it’s a sad fucking world when the
only thing we can
think to beg for is forgiveness








gossamer cathedral





girl has a mother
but the mother is dead,
                  girl is dead,
carpet heavy with blood and,
outside,
the suffocating weight
of august sunlight

buzz of cicadas

poets with nothing better
to write about than
their own sad little lives







Saturday, July 21, 2012

waiting for rain


and all afternoon the slow grinding
roar of factories pumping out
blood and despair and
all afternoon the stench of gasoline and
burning cars carried in on a steady
wind from the south

all afternoon the
sky a luminous silver, a delicate
shade of purple and the hills all
smudged & blurred against it

the sun at uncertain intervals

the tentative shadows of bare trees
across well-manicured lawns

when did you become so
fucking afraid of everything?

widow poem 1


silver sun in a
bone-white sky, which makes it
easy to confuse living
with being alive

helps the pills go down easier,
but the hands are still cold

the suicides refuse
to give up their beliefs

won’t laugh, won’t cry,
won’t give me any reasons
for what they’ve done

just stand their bleeding
onto all of my poems

Sunday, March 25, 2012

TENETS OF DEMOCRACY

1.

no one you elect
gives a shit whether you
live or die as long as there is
profit to be made at
your expense



2.

no one you elect
gives a shit whether you
live or die as long as there is
profit to be made at
your expense



3.

no one you elect
gives a shit whether you
live or die as long as there is
profit to be made at
your expense

the fade out

nothing to say really
but no one trusts a quiet man

no one trusts a television that
isn’t turned on

need fucking NOISE need the
rush of caffeine and sugar, the
lies of politicians and the empty
platitudes of priests as they
rape your sons

need the color red and the
steady buzz of neon tubes

need a gun in each hand

so much killing to be done in
the space of
just one lifetime

Saturday, October 01, 2011

required listening vol. 1

holes through me

or the horse in yr
heart swimming through
oceans of pain
or the clocks that tell
only lies

this is you in dali’s room,
the end of the war,
corpses caught in frozen mud

you want them to sing
but the song has no words

you want them to apologize
but the words have no meaning

the mouths are
filled with gravel

with bloodsoaked truths

take the ones you need and
call them yr own

rape the priests who
would do you harm

let their despair be
all you need

victor safonkin, eurosurrealism


Thursday, September 22, 2011

and who can forget.....


which is apparently now an ibook over at itunes.
how ifucking odd.
(excellent cover art by rebecca etter!)

latest collection


with a cover that came out pretty nice, by accident.



Monday, September 19, 2011

keeping score

small hope like sunlight on
shimmering treetops, like a sky the color
of luminous dust

take the silence you’ve been given

hold it close to your heart

the children are tired of despair, are tired
of starvation, of revolution,
and so what are you going to do?

how far are you willing to crawl in a
desert of your own creation?

if i were a liar, i would tell you
there can be no wrong answers

if i were honest, i would turn away

do you remember the
life you had before?

do you remember the ocean?

i am a believer in easy escapes,
in walking away from pain and sorrow

i take comfort
in the gentle haze of distance

i find despair
around every corner

open your eyes, for christ’s sake

Sunday, September 04, 2011

icarus, motherfucker

http://www.members.littleepisodes.org/profiles/blogs/icarus-motherfucker


ceremony of beasts

http://www.members.littleepisodes.org/profiles/blogs/ceremony-of-beasts-1

the angel uriel, lost and forsaken in the desert of upstate new york

http://api.ning.com/files/B6D9G2PAI7QVZr7u22hwJm6zhpDvNW3sYdvtP0On3pWaGNu5wSvDEl9kPQfGtPryaESwktmQkZikHoMFERZq-jBI-LlcMWIb/uriel.pdf

4th of july

90 degrees by ten in the morning, dirty
silver sky and you were telling me i
was nothing and i was watching you bleed

i was a believer in
time and in distance

in failure

house smelled of decay, of brutal heat and
damp corners and we were waiting for the
parade with our flags in tatters

we were writing letters to the dead and
dreaming of answers that would never arrive

dog was chained to a
tree and starving to death

child playing at the edge of the road and
i was crawling across the bedroom floor

was looking in the other direction
when i heard someone call my name

looked back and the child was gone