strange standing here naked
with a gun to my head,
but this is the new world
wanted to move out to california,
but i was tied to this house, to
this job, to these children
woke up sweating and terrified
from a dream with no meaning
heard water in the basement
tasted rot, tasted decay
not sunlight, you understand,
but this numbing sensation
of suffocation
this false hope of
50 degree afternoons
at the beginning of february
the threat of freezing to death
replaced by the threat
of drowning
the sensation of rust flaking
down from great heights
onto bare skin
and did i mention the gun?
can you picture the hills
all painted a
soft, despairing grey?
we will never be more in
love than we are at this moment
we will never be more alone
choose, but then keep
your choice a secret
Saturday, February 28, 2009
Monday, February 16, 2009
malachi (2)
all of these small cancers
and all of these smoldering remains
and all of the bodies
all of the ways that each one
matters more than war
and these words
which do nothing but scratch feebly
at locked doors
these dogs
who are starving slowly
who are chained to the passing days
and this is not a poem but
an explanation
or possibly an apology
it's my mind
refusing to sit still while
the first big storm of the year
approaches
and there is a man who writes to say
that he can't make sense of
any of this
you need punctuation
he says
and you need flow
and you need to stop worrying
pollock's bones
and there is a four year-old boy
on fire
on the other side of town
his mother held back by the neighbors
while the roof collapses
some small tragedy with no meaning
and maybe these are all we
have left in this year of election
streets littered
with the corpses of soldiers or
this man who murders his
pregnant wife
the woman he fucked
two months earlier who says she
just wants to be left alone
who says the walrus was paul
says you have to look for the clues
the open hand or the third eye
or the burning cross
the way america is defined
by its history
the way christ's teeth have been
filed down to dirty yellow points
and do you fall to your knees when
he smiles
or do you turn away in shame?
consider your answer
consider the act of rape being
filmed for the internet
the way names are kept hidden
out of fear
and out of shame
your children growing up with
nothing more than
the wreckage you've left them
and all of these smoldering remains
and all of the bodies
all of the ways that each one
matters more than war
and these words
which do nothing but scratch feebly
at locked doors
these dogs
who are starving slowly
who are chained to the passing days
and this is not a poem but
an explanation
or possibly an apology
it's my mind
refusing to sit still while
the first big storm of the year
approaches
and there is a man who writes to say
that he can't make sense of
any of this
you need punctuation
he says
and you need flow
and you need to stop worrying
pollock's bones
and there is a four year-old boy
on fire
on the other side of town
his mother held back by the neighbors
while the roof collapses
some small tragedy with no meaning
and maybe these are all we
have left in this year of election
streets littered
with the corpses of soldiers or
this man who murders his
pregnant wife
the woman he fucked
two months earlier who says she
just wants to be left alone
who says the walrus was paul
says you have to look for the clues
the open hand or the third eye
or the burning cross
the way america is defined
by its history
the way christ's teeth have been
filed down to dirty yellow points
and do you fall to your knees when
he smiles
or do you turn away in shame?
consider your answer
consider the act of rape being
filmed for the internet
the way names are kept hidden
out of fear
and out of shame
your children growing up with
nothing more than
the wreckage you've left them
Wednesday, February 11, 2009
one for lisa, stoned
try to help and you
fuck things up even more and
so you stop trying to help
this is the way
these are the starving orphans
of the world and the
battered mothers and the
abused babies
wheels
within wheels
gears clotted with
rust and with blood
this woman next to you
in bed who says show me how
much you love me over and
over but all you do is
hurt each other
all you do is hurt
there is no shame
in turning away
fuck things up even more and
so you stop trying to help
this is the way
these are the starving orphans
of the world and the
battered mothers and the
abused babies
wheels
within wheels
gears clotted with
rust and with blood
this woman next to you
in bed who says show me how
much you love me over and
over but all you do is
hurt each other
all you do is hurt
there is no shame
in turning away
Thursday, February 05, 2009
For You
Sun through the blinds onto your body.
Sweat running down your breasts, music
everywhere. Loud, bigger than God, bolder,
and my fingers wet with your taste.
This is something from another room,
from a different town, and I carry it with
me instead of your name. Instead of your
face.
I stand at the window while you lie on
the bed. You touch yourself. You moan.
Things begin to fall apart.
Sweat running down your breasts, music
everywhere. Loud, bigger than God, bolder,
and my fingers wet with your taste.
This is something from another room,
from a different town, and I carry it with
me instead of your name. Instead of your
face.
I stand at the window while you lie on
the bed. You touch yourself. You moan.
Things begin to fall apart.
Thursday, January 29, 2009
violence
talk about the age
of burning witches as if it’s
a thing of the past
remember
the confidence of youth
hold your ground
the coldest days
are the brightest
squint into the overwhelming
roar of distant massacres
talk about both time and space
these men with their faces
painted white, black smudged
around their eyes, mouths &
teeth smeared with the blood
of other people’s children
the gun is invented,
and then the bomb
killing one martyr at a time
is inconvenient, inefficient
picture the face of god
as an explosion at
ground zero
blinding
overwhelming
you will know it only
once before you die
of burning witches as if it’s
a thing of the past
remember
the confidence of youth
hold your ground
the coldest days
are the brightest
squint into the overwhelming
roar of distant massacres
talk about both time and space
these men with their faces
painted white, black smudged
around their eyes, mouths &
teeth smeared with the blood
of other people’s children
the gun is invented,
and then the bomb
killing one martyr at a time
is inconvenient, inefficient
picture the face of god
as an explosion at
ground zero
blinding
overwhelming
you will know it only
once before you die
Saturday, January 24, 2009
in the palace of exiles
walk to the far edge of the
field and shoot yourself
would this be considered lost
or would it be considered
found?
believe in christ
as a fever dream
scream at the hills
throw the baby in the river
no one offers you hope
without wanting something
in return
field and shoot yourself
would this be considered lost
or would it be considered
found?
believe in christ
as a fever dream
scream at the hills
throw the baby in the river
no one offers you hope
without wanting something
in return
Thursday, January 22, 2009
responding to the critics
and sometimes
they write to talk about
discipline
and sometimes to lecture
about the need for
hope
sometimes
i send them pictures
of nuns hanging raped and
murdered from the trees
of central america
we all need to
believe in something
they write to talk about
discipline
and sometimes to lecture
about the need for
hope
sometimes
i send them pictures
of nuns hanging raped and
murdered from the trees
of central america
we all need to
believe in something
Tuesday, January 13, 2009
Grace
What it is, after everything, is that his wife
feels cheated, and so she leaves.
There is silence, and then there are
all of the sounds that help define it.
There are the dead and the dying,
and he is one or he is the other.
He is counting the days.
He is walking backwards.
The sunlight feels good on
his useless hands.
feels cheated, and so she leaves.
There is silence, and then there are
all of the sounds that help define it.
There are the dead and the dying,
and he is one or he is the other.
He is counting the days.
He is walking backwards.
The sunlight feels good on
his useless hands.
Saturday, January 10, 2009
lazarus, reinvented
and you and i in
the brutal light of
empty prayers, and
you and i in the
relentless shadow
of sorrow
thought the words
were what mattered
thought the truth
would be enough
jesus christ,
what a fool i was
the brutal light of
empty prayers, and
you and i in the
relentless shadow
of sorrow
thought the words
were what mattered
thought the truth
would be enough
jesus christ,
what a fool i was
Tuesday, January 06, 2009
borderland
faces painted dark and bright and
all of them hidden at
the edges of february fields
men of power
grown fat on lies
the women they have come to own
piles of skulls left to
mark where one country ends and
another begins
all of them hidden at
the edges of february fields
men of power
grown fat on lies
the women they have come to own
piles of skulls left to
mark where one country ends and
another begins
Saturday, January 03, 2009
ASH WILDERNESS
I added a link for this collection over in
my BOOKS section. My email is in my
Profile, if yr interested in ordering a copy.
my BOOKS section. My email is in my
Profile, if yr interested in ordering a copy.
Tuesday, December 30, 2008
poem for america, ten below zero
and in the end it’s just
a dead man’s country, and
all you can do is sing
a dead man’s country, and
all you can do is sing
Saturday, December 20, 2008
throne
small desperation in
pale blue afternoon light
cop on fire, but
too far away to offer
any warmth
do you believe that nothing
can be solved with
violence?
do you believe in anything?
it’s a pointless question
in a house of broken mirrors
all clocks remember the
moment of your birth
they have all seen the
details of your death
count backwards from 1,000,000
scrape the ice from
every december windshield
man stands there in the street
raises his arms in
surrender
and is shot to death
small minds build
flawed houses
i lived there for 20 years
without incident
phone rang every day but
no one ever answered
no one left a message
found her on the
other side of the country
long after i’d stopped looking
with pictures of her child
and pictures of her husband
and we didn’t quite touch
filled the space between us
with too many words
while evening fell
arrived at the truth, finally
but by then it
wasn’t worth shit
pale blue afternoon light
cop on fire, but
too far away to offer
any warmth
do you believe that nothing
can be solved with
violence?
do you believe in anything?
it’s a pointless question
in a house of broken mirrors
all clocks remember the
moment of your birth
they have all seen the
details of your death
count backwards from 1,000,000
scrape the ice from
every december windshield
man stands there in the street
raises his arms in
surrender
and is shot to death
small minds build
flawed houses
i lived there for 20 years
without incident
phone rang every day but
no one ever answered
no one left a message
found her on the
other side of the country
long after i’d stopped looking
with pictures of her child
and pictures of her husband
and we didn’t quite touch
filled the space between us
with too many words
while evening fell
arrived at the truth, finally
but by then it
wasn’t worth shit
Thursday, December 11, 2008
THE RETURN OF ASH WILDERNESS
It's back, and who are you to deny it? All relevant info is in the link. E-mail me w/ questions, comments and/or faint praise.
ASH WILDERNESS
ASH WILDERNESS
Tuesday, December 09, 2008
starling
somewhere in the dark
cross the line between lover
& apprentice
between angel & whore
cross your heart
believe the prettiest lies
in the morning,
i’m afraid to get out of bed
i need sound, or
at least noise
this desk drawer that
holds all of her letters
this poem that bleeds
that leaves a mess on
the dining room table
no flowers
no mirrors
keep the doors locked and
the phone unplugged
smell of sex still
on my fingers
stand perfectly still
breathe in stale air
and grey light
all despair causes cancer
all starving children
are as good as dead
grab what you
hold most dear and wait
cross the line between lover
& apprentice
between angel & whore
cross your heart
believe the prettiest lies
in the morning,
i’m afraid to get out of bed
i need sound, or
at least noise
this desk drawer that
holds all of her letters
this poem that bleeds
that leaves a mess on
the dining room table
no flowers
no mirrors
keep the doors locked and
the phone unplugged
smell of sex still
on my fingers
stand perfectly still
breathe in stale air
and grey light
all despair causes cancer
all starving children
are as good as dead
grab what you
hold most dear and wait
Sunday, November 30, 2008
was kissed by ghosts, was weeping
find the ocean just inches
below the desert's surface &
then wait for rain
this is the kingdom of false prophets
these are the bones of old lovers
no one here
wants to be your friend,
but being an enemy has value
too
wars cannot be fought
without cowards
children cannot be raped
without the cold embrace of priests
what matters isn't the truth,
but how pretty the
lies can be made to sound
what matters is power
the shame of being poor is a gift
given freely by the rich
houses built by the hands of
beggars can only fall
you will stand naked in
the ruins of everything you've
never owned and wait like a dog
for the kindness of strangers
below the desert's surface &
then wait for rain
this is the kingdom of false prophets
these are the bones of old lovers
no one here
wants to be your friend,
but being an enemy has value
too
wars cannot be fought
without cowards
children cannot be raped
without the cold embrace of priests
what matters isn't the truth,
but how pretty the
lies can be made to sound
what matters is power
the shame of being poor is a gift
given freely by the rich
houses built by the hands of
beggars can only fall
you will stand naked in
the ruins of everything you've
never owned and wait like a dog
for the kindness of strangers
Saturday, November 22, 2008
ashcroft
lovers w/out faces
or else
towers of metal
connected by thin wires
vast empires
you open your door
and find the ocean
woman in the bed
behind you says stay
choices are like bones
or like promises, but
only because both
can be broken
sky is the color
of sunlit dust
breathe in the
whole of the empire
or else
towers of metal
connected by thin wires
vast empires
you open your door
and find the ocean
woman in the bed
behind you says stay
choices are like bones
or like promises, but
only because both
can be broken
sky is the color
of sunlit dust
breathe in the
whole of the empire
Saturday, November 08, 2008
minotaur
in the end
i say nothing
walk down this empty street instead
into the face of pale broken sunlight with
the lesser bones of priests ground into
fine powder beneath my feet
with the mother of my children
begging god for forgiveness
empty sounds from a bleeding mouth
empty hands cut off at the wrists
because the idea of war cannot be
considered w/out the idea of pain
the forest is where you run
only after all of
the cities have burned
being lost is what comes
after being alive
i say nothing
walk down this empty street instead
into the face of pale broken sunlight with
the lesser bones of priests ground into
fine powder beneath my feet
with the mother of my children
begging god for forgiveness
empty sounds from a bleeding mouth
empty hands cut off at the wrists
because the idea of war cannot be
considered w/out the idea of pain
the forest is where you run
only after all of
the cities have burned
being lost is what comes
after being alive
Friday, October 24, 2008
Thursday, October 23, 2008
MK Chavez/John Sweet, “Next Exit: Nine” (KSE no. 112), now available
The ninth and second-to-last installment in Kendra Steiner Editions' "Next Exit" series of chapbooks—-a series devoted to poems rooted in a strong sense of place—- is now available. MK Chavez (from Berkeley, California) and John Sweet (from New York state) are friends and also admirers of each other's work, so pairing them for a joint chapbook seemed like a natural. MK and John write about beauty and pain in styles that are rich yet understated, jagged yet warm, and ultimately disquieting. The people whose lives they document in their work are human versions of the blades of grass that somehow manage to grow through the cracks in the asphalt. Travel the desert backroads where Gram Parsons spent his last hours; walk through a world of domestic violence and pickup truck gun racks; take a sobering trip to San Quentin; taste the stolen and desperate kisses; harvest the empty garden.
Eleven brand-new poems written specifically for this project from two of the most distinctive American poets—poems that perfectly capture 2008 America.
MK Chavez is the author of Virgin Eyes (Zeitgeist Press) and Visitation (Kendra Steiner Editions) and an active participant in the San Francisco/Bay Area poetry community. She is a poet greatly admired by her colleagues and has been a joy to work with on her two KSE projects.
John Sweet, author of the much-acclaimed Human Cathedrals (Ravenna Press), has been an important voice in the alternative poetry world for at least 15 years. His blog and more recently his myspace page have been offering powerful, expertly crafted new poetry on a regular basis. Recent collections of his work include False Hope, Between Truth and Mercy, and World Without Sound. John is a true artist, and it has been an honor to work with him on this project.
Don't miss this one, folks. These Next Exit chaps generally sell out in 8 weeks or so. $4 US/ $5 elsewhere (postpaid).Ordering information can be found at:
http://kendrasteinereditions.wordpress.com/available-kse-poetry-chapbooks/
Eleven brand-new poems written specifically for this project from two of the most distinctive American poets—poems that perfectly capture 2008 America.
MK Chavez is the author of Virgin Eyes (Zeitgeist Press) and Visitation (Kendra Steiner Editions) and an active participant in the San Francisco/Bay Area poetry community. She is a poet greatly admired by her colleagues and has been a joy to work with on her two KSE projects.
John Sweet, author of the much-acclaimed Human Cathedrals (Ravenna Press), has been an important voice in the alternative poetry world for at least 15 years. His blog and more recently his myspace page have been offering powerful, expertly crafted new poetry on a regular basis. Recent collections of his work include False Hope, Between Truth and Mercy, and World Without Sound. John is a true artist, and it has been an honor to work with him on this project.
Don't miss this one, folks. These Next Exit chaps generally sell out in 8 weeks or so. $4 US/ $5 elsewhere (postpaid).Ordering information can be found at:
http://kendrasteinereditions.wordpress.com/available-kse-poetry-chapbooks/
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