A new one, GARGOYLES, and it’s standard
Lanegan fare. Which means it’s good,
verging on very good, and it has some exceptional moments. There are always some clunkers on any given
Lanegan product to keep it from being a stone cold classic, but the guy knows
what he’s doing.
BLUES FUNERAL was, for me, a high
point. PHANTOM RADIO was pretty sweet,
too (and the remix disc was interesting).
His early solo stuff (before he added “Band”) was much the same
way. WHISKEY FOR THE HOLY GHOST was the
highlight, SCRAPS AT MIDNIGHT wasn’t too shabby either. BUBBLEGUM, I think, was the first one
attributed to the MLB, and it was a good way to kick things off. The covers albums are fairly meh.
I haven’t delved into all of his side
projects, but his work with Soulsavers was quite tasty. The Isobel Campbell collaborations weren’t
too bad, but Queens of the Stone Age have never impressed me. I must be missing something there, because I
keep reading about what a rocking band they are, but they’ve always sounded
tame and over-produced to me. Oh well.
And what about those Screaming
Trees? UNCLE ANESTHASIA and SWEET
OBLIVION I will gladly label as stone-cold classics, but how the hell did they
get there? You’d be hard pressed to put
together a decent 40 minute set from all
of their indie albums. Just very generic
and uninteresting. And then the fighting
and the heroin and the blah blah blah, and DUST was a huge fucking letdown…… Gah. I’m
glad he got it back together to keep his post-Trees career moving along.
I’ll have to listen to the FINAL
RECORDINGS cd again soon. I think I
liked it to some extent.
So let’s just say BLUES FUNERAL, then
PHANTOM RADIO, then GARGOYLES.
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