The band, fool , not the archaic and useless religious institution. I’ve been a fan of these guys since ’83 or so, and their
whole career has been pretty amazing. Not
a lot of weak spots. Kilbey’s lyrics are
usually entertaining, even if his serious “poetry” is kind of sophomoric
wankery. Like J Morrison, if he didn’t
have the music career, no one would pay attention to his writing. Also like Mr Mojo Risin, it gets borderline
pretentious/laughable with alarming regularity.
But I digress…..
PHASE 1 was the pre-fame years, first album thru HEYDAY. A very solid period for the band, with the
self-titled version of the debut and HEYDAY both being 5 star releases.
PHASE 2 was the Arista period, the brief burst of international fame
and then the slide back into cult band obscurity. Only 4 albums (and a compilation) long but,
again, an incredible period. STARFISH
gets all the recognition, but i always thought GAF was better. In any event, they all kick ass. By SOMETIME ANYWHERE the band was whittled
down to just Kilbey & Wilson-Piper and, even tho Arista was cool enough to
include a bonus disc of outtakes with the first pressing of the CD (and they
also re-issued all the older stuff that hadn’t been available in the US
before), they weren’t going to bother ponying up any dough for promotions or a
tour, so this album is also officially the beginning of the WILDERNESS YEARS.
Which is PHASE 3. They were a full band by the end of it (with
their longest-running lineup), but this is where I noticed that most of the
reviews when the albums first came out were fairly dismissive. Grunge and post-grunge and grunge-lite and nu
metal and all that suckass shit was in favor at the time, and there was no room
for The Church in this new world order.
Which always struck me as kind of funny, that bands get dismissed because
they don’t sound like what’s popular at the time. Could professional-type critics be any more knee-jerk
reactionary & lame-assed?
Anyway, I include HOLOGRAM and the covers album in this phase,
based mainly on record label uncertainty and the bad/indifferent press the band
seemed to be getting. Again, a solid
period for the band, tho. A lot of
experimenting and drifting away from the pop song formula. And with good results.
And then, BAM!, PHASE
4. The longest (and weakest) phase. Suddenly the band went from being has-beens
who were stuck in the past to elder statesman of grandiose psychedelic
rock. The reviews get more glowing, even if the
music doesn’t always carry the weight of the praise. AENT kicks off this phase in most excellent
fashion but, from there, it’s kind of hit and miss, what with the outtakes and
the acoustic versions and the remixes and the whatnot. Maybe
the band needed the money?
Most Church releases (for me) are at least 3 ½ stars. If there any 2 or 2 ½ star releases, tho,
this is the period you’ll find them in.
Approach with caution, but still expect to be dazzled fairly regularly.
PHASE 5 is still in its early stages, only the last album on
this list. It’s an excellent album, so I’m hopeful for a
possible future. Wilson-Piper seems to
be out of the band for good now, so it’s a new phase simply because of new
guitarist Ian Haug.
Of Skins and Heart (1981) Released internationally as
The Church in 1982 with variant tracks
The Blurred Crusade (1982)
Seance (1983)
Remote Luxury (1984) Australian-only Persia and Remote
Luxury EPs released as one album
Heyday (1985)
Starfish (1988)
Gold Afternoon Fix (1990)
A Quick Smoke at Spot's:
Archives 1986-1990 (1991)
Outtakes from the Starfish & Gold Afternoon Fix eras
Priest=Aura (1992)
Sometime Anywhere (1994) The first pressing contained
the bonus disc Somewhere Else
Magician Among the Spirits (1996) Re-released in 1999
as Magician Among the Spirits Plus Some
with variant tracks
Pharmakoi/Distance-Crunching
Honchos with Echo Units (1997)
As “The Refo:mation”, without Peter Koppes
Hologram of Baal (1998) The first pressing contained the
bonus disc Bastard Universe
A Box of Birds (1999) Covers album
After Everything Now This (2002)
Parallel Universe (2002) Remixes (disc 1) and outtakes
(disc 2) from the After Everything Now This sessions
Forget Yourself (2003)
Jammed (2004)
Beside Yourself (2004) Outtakes from the Forget
Yourself
sessions
El Momento Descuidado (2004) Acoustic remakes plus five new
songs
Back with Two Beasts (2005) Outtakes from the Uninvited, Like
the Clouds sessions
Uninvited, Like the Clouds (2006)
El Momento Siguiente (2007) Acoustic remakes plus three new
songs
and a cover
Shriek: Excerpts from the Soundtrack (2008) Short film
soundtrack
Untitled #23 (2009)
Further/Deeper (2014)
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